Skip to content
RAI FILM
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
RAI FILM
Login
Facebook
Instagram
Twitter
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Menu
About
About RAI Film
Meet the team
Prices
Film Distribution
Watch on demand
Ethnographic Film Catalogue
Teaching resources
RAI Film Festival
About RAI Film Festival
Film Festival 2025
Film Festival 2025 Group passes
Film Festival prizes and awards
Film Conference 2025
Archive of past editions
Facebook
Instagram
Twitter
Films
found one film
showing search results for “carnival king of europe”
x
Directors
“Tovey, Ana”
x
short films
1
Region
New Zealand and Polynesia
1
Country
New Zealand
1
Keywords
Alternative culture
1
Ritual
1
Directors
Tovey, Ana
1
x
Series
Granada Center for Visual Anthropology Student Film
1
Country of production
United Kingdom
1
Year of production
2007
1
Film
Standing Places
2007
31
‘
Directed by
Ana Tovey
.
A model of Stonehenge has been built in rural New Zealand, functioning like the original not only in its astronomical alignment but also in its role as a ceremonial site. The film explores what Stonehenge Aotearoa means to the people involved with it – those who built it, the neighbours, local tangata whenua (people of the land) and those who use it as a sacred space for rituals. Is this a construction of an inauthentic ancestral connection to the land for Pakeha (white) New Zealanders or does it open up a new space for working through the complex identities of a multi-cultural post-settler society?
New Zealand and Polynesia
Alternative culture
Ritual